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Showing below up to 250 results in range #251 to #500.

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  1. crustaceans (CRAYFISH) (Q439)
  2. fishes (PERCH) (Q438)
  3. fresh-water fishery (Q437)
  4. fishes (Q436)
  5. fisherman (Q435)
  6. eel (Q434)
  7. rodents: beaver (Q433)
  8. beasts of prey, predatory animals: otter (Q432)
  9. Goose (Q431)
  10. beaters (~ hunt) (Q430)
  11. hunter (Q429)
  12. shore-birds and wading-birds: crane (Q428)
  13. walker and runner birds: partridge (Q427)
  14. water-birds: swan (Q426)
  15. walker and runner birds: quail (Q425)
  16. walker and runner birds: pheasant (Q424)
  17. song-birds (Q423)
  18. fowling, fowler (Q422)
  19. predatory birds: falcon (Q421)
  20. bird hunting (Q420)
  21. finch trap, finchery (Q419)
  22. shore-birds and wading-birds: heron (Q418)
  23. water-birds: duck (Q417)
  24. mammals (Q416)
  25. hoofed animals: boar (Q415)
  26. (4) the Erymanthian boar is captured by Hercules (Q414)
  27. beasts of prey, predatory animals: bear (Q413)
  28. (story of) Hercules (Heracles) (Q412)
  29. hoofed animals: elk (Q411)
  30. pastorals, Arcadian scenes (Q410)
  31. hoofed animals: stag (Q409)
  32. (3) the Ceryneian hind of Arcadia is captured by Hercules (Q408)
  33. stag-hunting (Q407)
  34. (7) the Cretan bull is captured by Hercules (Q406)
  35. 47I12111 (Q405)
  36. trunked animals: elephant (Q404)
  37. 48C5123 (Q403)
  38. cat (WILDCAT) (Q402)
  39. fox hunting (Q401)
  40. beasts of prey, predatory animals: badger (Q400)
  41. hoofed animals: ibex (Q399)
  42. hoofed animals: deer (Q398)
  43. hare-hunting, rabbit-hunting (Q397)
  44. walker and runner birds: ostrich (Q396)
  45. monkey hunting (Q395)
  46. hunt ~ hoofed animals (Q394)
  47. she-goat, nanny-goat (Q393)
  48. (1) Hercules chokes the Nemean lion with his arms (Q392)
  49. lion hunt (Q391)
  50. Orpheus playing the lyre (Q390)
  51. Template provider (Q389)
  52. Africa represented allegorically; 'Africa' (Ripa) (Q388)
  53. Asia represented allegorically; 'Asia' (Ripa) (Q387)
  54. Europe represented allegorically; 'Europa' (Ripa) (Q386)
  55. summer, 'Aestas'; 'Estate' (Ripa) (Q385)
  56. spring, 'Ver'; 'Primavera' (Ripa) (Q384)
  57. autumn, fall, 'Autumnus'; 'Autunno' (Ripa) (Q383)
  58. Fresco painting (Q382)
  59. winter, 'Hyems'; 'Inverno' (Ripa) (Q381)
  60. Cephalus and Aurora (Q380)
  61. personification of the morning, 'Aurora'; 'Aurora' (Ripa) (Q379)
  62. one of the Dioscuri: Castor or Pollux (Pollux) (Q378)
  63. one of the Dioscuri: Castor or Pollux (Castor) (Q377)
  64. Wood (Q376)
  65. tea- and coffee-service (Q375)
  66. acanthus ~ ornament (Q374)
  67. Oil painting (Q373)
  68. Oil paint (Q372)
  69. Venus mourning Adonis (Q371)
  70. Mixed technique (Q370)
  71. Canvas (Q369)
  72. hunting, chase (Q368)
  73. Production method (Q367)
  74. Material (Q366)
  75. Painter (Q365)
  76. continents represented allegorically (Q364)
  77. seasons of the year (esp. personifications); 'Stagione', 'Le quattro stagione dell'anno' (Ripa) (Q363)
  78. symbol, emblem, sign ~ medicine (Q362)
  79. Wall (position) (Q361)
  80. landscapes (Q360)
  81. Translocated (condition) (Q359)
  82. Ceiling (position) (Q358)
  83. siege (Q357)
  84. Painting condition (Q356)
  85. Iconography (Q355)
  86. Sculptor (Q354)
  87. Anteroom (Q353)
  88. Wardrobes (Q352)
  89. Bedroom (Q351)
  90. Presence chamber (Q350)
  91. Dining room (Q349)
  92. Main hall (Q348)
  93. Plasterer (Q347)
  94. Access room sequences (Q345)
  95. Apartment (Q344)
  96. Wing (Q343)
  97. Orangery (Q342)
  98. Commissioner (Q341)
  99. Carpenter (Q340)
  100. Builder (Q339)
  101. Association (Q338)
  102. Primary residence (Q337)
  103. Architect (Q336)
  104. role (Q335)
  105. Castle and garden vedutas (Q333)
  106. Portrait 10: Friedrich Kraft von Hohenlohe-Neuenstein-Öhringen (1667–1709) (Q332)
  107. Portrait 9: Johann Ludwig von Hohenlohe-Künzelsau (1625–1689) (Q331)
  108. Portrait 8: Wolfgang Julius von Hohenlohe-Neuenstein (1622–1698) (Q330)
  109. Portrait 7: Siegfried von Hohenlohe-Weikersheim (1619–1684) (Q329)
  110. Portrait 6: Philipp Ernst von Hohenlohe-Langenburg (1584–1626) (Q328)
  111. Portrait 5: Georg Friedrich von Hohenlohe-Weikersheim (1569–1645) (Q327)
  112. Portrait 4: Carl Ludwig von Hohenlohe-Weikersheim (1674–1756) (Q326)
  113. Portrait 3: Johann Friedrich I. von Hohenlohe-Neuenstein (1617–1702) (Q325)
  114. Portrait 12: Johann Friedrich II. von Hohenlohe-Neuenstein-Öhringen (1683–1765) (Q324)
  115. Portrait 11: Johann Ernst von Hohenlohe-Öhringen (1670–1702) (Q323)
  116. Portrait 2: Graf Kraft von Hohenlohe-Neuenstein-Öhringen (1582-1641) (Q322)
  117. Portrait 1: Graf Wolfgang II. von Hohenlohe-Weikersheim (1546-1610) (Q321)
  118. HA 10 Naumachia with sea monster (Q320)
  119. HA 9 Fish hunt with baskets (Q319)
  120. HA 8 Fish hunt with fishing rod (Q318)
  121. HA7 Crawfish hunt with bow nets (Q317)
  122. HA 6 Fish hunt by day with nets (Q316)
  123. HA 5 Fish hunt at night (Q315)
  124. HA 4 Duck hunt with bow nets (Q314)
  125. HA 3 Duck hunt with reef timbering (Q313)
  126. HA13 Fish hunt by hand (Q312)
  127. HA14 Bass hunt with quindent (Q311)
  128. HA12 Eel hunt with braided bow nets (Q310)
  129. HA11 Fish and eel hunt with pincers (Q309)
  130. HA2 Beaver hunt (Q308)
  131. HA1 Otter hunt (Q307)
  132. Q10 Hunt for geese (Q306)
  133. Q9 Falconry (Q305)
  134. Q8 Partridge hunt with net in winter (Q304)
  135. Q7 Partridge hunt with net (Q303)
  136. Q6 Battue from a gentleman's perspective (Q302)
  137. Q5 Battue (Q301)
  138. Q4 Falconer on horse (Q300)
  139. Q3 Egrant mordant (Q299)
  140. Q17 Hunters guard a fence (Q298)
  141. Q13 Crane hunt with funnel (Q297)
  142. Q12 Partridge hunt (Q296)
  143. Q11 Hunt for swans (Q295)
  144. Q20 Bird hunt in a cornfield (Q294)
  145. Q14 Quail hunt with cow dummy (Q293)
  146. Q18 Bird hunt with nets (Q292)
  147. Q19 Hunt for singing birds (Q291)
  148. Q15 Bird hunt with falcon (Q290)
  149. Q16 Bird traps in small house on stilts (Q289)
  150. Q2 Egret hunt with traps (Q288)
  151. Q1 Duck hunt (Q287)
  152. A10 Hunt for a white stag (Q286)
  153. A9 Boar hunt (Q285)
  154. A8 bear hunt (Q284)
  155. A7 Elk hunt (Q283)
  156. A6 Idyllic scene with stag (Q282)
  157. A5 Stag hunt (Q281)
  158. A4 Bull hunt (Q280)
  159. A3 Elephant hunt (Q279)
  160. A13 Wild cat hunt (Q278)
  161. A16 Fox hunt (Q277)
  162. A15 Badger and hare hunt (Q276)
  163. A17 Ibex hunt (Q275)
  164. A11 Deer hunt (Q274)
  165. A14 Hare hunt (Q273)
  166. A12 Ostrich hunt (Q272)
  167. A19 Monkey hunt (Q271)
  168. A18 Chamois hunt (Q270)
  169. A2 Lion hunt (Q269)
  170. A1 Orpheus (Q268)
  171. Africa (Q267)
  172. Asia (Q266)
  173. Europe (Q265)
  174. Spring and summer (Q264)
  175. Autumn and winter (Q263)
  176. Fragments of the wall mount from 1711 (Q262)
  177. Aurora kidnaps Kephalos (Q261)
  178. Tile imitations from Delft (Q260)
  179. Aurora among the olympic gods with Castor and Pollux (Q259)
  180. Acanthus tendrils (Q258)
  181. Wainscot (Q257)
  182. Acanthus tendrils (Q256)
  183. Siege X: The capital city Offen occupied by the Christians, 160- (Q255)
  184. Siege IX: The capital city Offen occupied by the Christians, 1598 (Q254)
  185. Siege VIII: The Fortress of Raab, which was retaken by the Christians at night (Q253)
  186. Siege VII: The city of Waitzen occupied by the Turks, 1597 (Q252)
  187. Siege VI: The Fortress of Vizzegrad occupied by the Christians, 159- (Q251)
  188. Siege V: The Fortress of Gran retaken by the Christians (Q250)
  189. Siege IV: The Fortress of Comorna occupied by the Turks, 1594 (Q249)
  190. Siege III: The Fortress of Raab occupied by the Turks, 1594 (Q248)
  191. Siege XI: The capital city Offen occupied by the Christians (Q247)
  192. Siege XII: The Fortress of Gran occupied by the Turks, 1604 (Q246)
  193. Siege II: The Fortress of Gran occupied by the Christians, 1594 (Q245)
  194. Siege I: The Fortress of Tottis retaken by the Christians at night (Q244)
  195. Venus and Armor cry about Adonis' death (Q243)
  196. Wood paneling (Q242)
  197. Wood paneling (Q241)
  198. Wood paneling (Q240)
  199. Wood paneling (Q239)
  200. Wood paneling (Q238)
  201. Wood paneling (Q237)
  202. Wainscot (Q236)
  203. Chamber with reliefs of female heroes (Q235)
  204. Sitting room with reliefs of male heroes (Q234)
  205. Audience room (Q233)
  206. Audience room (Q232)
  207. Description of: Weikersheim castle complex (Q231)
  208. Description of: Weikersheim castle (Q230)
  209. Description of: Kitchen house (Q229)
  210. Description of: "Black and white chamber" Sitting room apartment on the second floor (Q228)
  211. Description of: "Golden chamber" Sitting room apartment on the first floor (Q227)
  212. Description of: Chamber with reliefs of female heroes (Q226)
  213. Description of: Sitting room with reliefs of male heroes (Q225)
  214. Description of: Langenburg house (Q224)
  215. Description of: Southern apartment on the second floor, Carl Ludwig's apartment since 1711 (Q223)
  216. Description of: The audience room (Q222)
  217. Description of: Aurora kidnaps Kephalos (Q221)
  218. Description of: The bedroom (Q220)
  219. Description of: Frangments of the wall mount from 1711 (Q219)
  220. Description of: Southern apartment on the first floor (Q218)
  221. Description of: The bedroom (Q217)
  222. Description of: Paneling by Christian Thalwitzer (Q216)
  223. Description of: The antechamber (Q215)
  224. Description of: Paneling by Christian Thalwitzer (Q214)
  225. Description of: Das Audienzzimer (Q213)
  226. Description of: Paneling by Christian Thalwitzer (Q212)
  227. Description of: Northern apartment on the first floor (Q211)
  228. Description of: The audience room (Q210)
  229. Description of: Paneling by Christian Thalwitzer (Q209)
  230. Description of: The bedroom (Q208)
  231. Description of: Paneling by Christian Thalwitzer (Q207)
  232. Description of: The antechamber (Q206)
  233. Description of: Paneling by Christian Thalwitzer (Q205)
  234. Description of: Catalogueing room sequence (Q204)
  235. Description of: Northern apartment on the second floor, Carl Ludwig's apartment until 1711 (Q203)
  236. Description of: Great Hall (Q202)
  237. Description of: Acanthus tendrils around 1680 (Q201)
  238. Description of: Apartment above the chapel, former "Munich chamber" (Q200)
  239. Description of: Apartment above the dining room "Beautiful rooms" (Q199)
  240. Description of: Aurora among the olympic gods with Castor and Pollux (Q198)
  241. Description of: Gloomy chamber (Q197)
  242. Description of: Tile imitations from Delft (Q196)
  243. Description of: The bedroom (Q195)
  244. Description of: Wainscot by Christian Tahlwitzer (Q194)
  245. Description of: The audience room (Q193)
  246. Description of: Access room sequences (Q192)
  247. Description of: Dining room (Q191)
  248. Description of: Program and synthesis of the former dining room (Q190)
  249. Description of: Siege scenes from the long Turkish war on the ceiling (Q189)
  250. Description of: Siege X: The capital city Offen occupied by the Christians, 160- (Q188)

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