NFDI4Culture Data Enrichment

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Showing below up to 250 results in range #251 to #500.

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  1. Description of: Siege IX (Q182)
  2. Description of: Siege VII: The city of Waitzen occupied by the Turks, 1597 (Q183)
  3. Description of: Siege V: The Fortress of Gran retaken by the Christians (Q184)
  4. Description of: Siege XII: The Fortress of Gran occupied by the Turks, 1604 (Q185)
  5. Description of: Siege II: The Fortress of Gran occupied by the Christians, 1594 (Q186)
  6. Description of: Siege I: The Fortress of Tottis retaken by the Christians at night (Q187)
  7. Description of: Siege X: The capital city Offen occupied by the Christians, 160- (Q188)
  8. Description of: Siege scenes from the long Turkish war on the ceiling (Q189)
  9. Country (Q19)
  10. Description of: Program and synthesis of the former dining room (Q190)
  11. Description of: Dining room (Q191)
  12. Description of: Access room sequences (Q192)
  13. Description of: The audience room (Q193)
  14. Description of: Wainscot by Christian Tahlwitzer (Q194)
  15. Description of: The bedroom (Q195)
  16. Description of: Tile imitations from Delft (Q196)
  17. Description of: Gloomy chamber (Q197)
  18. Description of: Aurora among the olympic gods with Castor and Pollux (Q198)
  19. Description of: Apartment above the dining room "Beautiful rooms" (Q199)
  20. TIB (Q2)
  21. Room function (Q20)
  22. Description of: Apartment above the chapel, former "Munich chamber" (Q200)
  23. Description of: Acanthus tendrils around 1680 (Q201)
  24. Description of: Great Hall (Q202)
  25. Description of: Northern apartment on the second floor, Carl Ludwig's apartment until 1711 (Q203)
  26. Description of: Catalogueing room sequence (Q204)
  27. Description of: Paneling by Christian Thalwitzer (Q205)
  28. Description of: The antechamber (Q206)
  29. Description of: Paneling by Christian Thalwitzer (Q207)
  30. Description of: The bedroom (Q208)
  31. Description of: Paneling by Christian Thalwitzer (Q209)
  32. Painting position (Q21)
  33. Description of: The audience room (Q210)
  34. Description of: Northern apartment on the first floor (Q211)
  35. Description of: Paneling by Christian Thalwitzer (Q212)
  36. Description of: Das Audienzzimer (Q213)
  37. Description of: Paneling by Christian Thalwitzer (Q214)
  38. Description of: The antechamber (Q215)
  39. Description of: Paneling by Christian Thalwitzer (Q216)
  40. Description of: The bedroom (Q217)
  41. Description of: Southern apartment on the first floor (Q218)
  42. Description of: Frangments of the wall mount from 1711 (Q219)
  43. file format (Q22)
  44. Description of: The bedroom (Q220)
  45. Description of: Aurora kidnaps Kephalos (Q221)
  46. Description of: The audience room (Q222)
  47. Description of: Southern apartment on the second floor, Carl Ludwig's apartment since 1711 (Q223)
  48. Description of: Langenburg house (Q224)
  49. Description of: Sitting room with reliefs of male heroes (Q225)
  50. Description of: Chamber with reliefs of female heroes (Q226)
  51. Description of: "Golden chamber" Sitting room apartment on the first floor (Q227)
  52. Description of: "Black and white chamber" Sitting room apartment on the second floor (Q228)
  53. Description of: Kitchen house (Q229)
  54. Andreas Lechtape (Q23)
  55. Description of: Weikersheim castle (Q230)
  56. Description of: Weikersheim castle complex (Q231)
  57. Audience room (Q232)
  58. Audience room (Q233)
  59. Sitting room with reliefs of male heroes (Q234)
  60. Chamber with reliefs of female heroes (Q235)
  61. Wainscot (Q236)
  62. Wood paneling (Q237)
  63. Wood paneling (Q238)
  64. Wood paneling (Q239)
  65. Achim Bunz (Q24)
  66. Wood paneling (Q240)
  67. Wood paneling (Q241)
  68. Wood paneling (Q242)
  69. Venus and Armor cry about Adonis' death (Q243)
  70. Siege I: The Fortress of Tottis retaken by the Christians at night (Q244)
  71. Siege II: The Fortress of Gran occupied by the Christians, 1594 (Q245)
  72. Siege XII: The Fortress of Gran occupied by the Turks, 1604 (Q246)
  73. Siege XI: The capital city Offen occupied by the Christians (Q247)
  74. Siege III: The Fortress of Raab occupied by the Turks, 1594 (Q248)
  75. Siege IV: The Fortress of Comorna occupied by the Turks, 1594 (Q249)
  76. Balthasar Katzenberger (Q25)
  77. Siege V: The Fortress of Gran retaken by the Christians (Q250)
  78. Siege VI: The Fortress of Vizzegrad occupied by the Christians, 159- (Q251)
  79. Siege VII: The city of Waitzen occupied by the Turks, 1597 (Q252)
  80. Siege VIII: The Fortress of Raab, which was retaken by the Christians at night (Q253)
  81. Siege IX: The capital city Offen occupied by the Christians, 1598 (Q254)
  82. Siege X: The capital city Offen occupied by the Christians, 160- (Q255)
  83. Acanthus tendrils (Q256)
  84. Wainscot (Q257)
  85. Acanthus tendrils (Q258)
  86. Aurora among the olympic gods with Castor and Pollux (Q259)
  87. Jan van der Straet (Q26)
  88. Tile imitations from Delft (Q260)
  89. Aurora kidnaps Kephalos (Q261)
  90. Fragments of the wall mount from 1711 (Q262)
  91. Autumn and winter (Q263)
  92. Spring and summer (Q264)
  93. Europe (Q265)
  94. Asia (Q266)
  95. Africa (Q267)
  96. A1 Orpheus (Q268)
  97. A2 Lion hunt (Q269)
  98. Graf Wolfgang II. Hohenlohe-Weikersheim (Q27)
  99. A18 Chamois hunt (Q270)
  100. A19 Monkey hunt (Q271)
  101. A12 Ostrich hunt (Q272)
  102. A14 Hare hunt (Q273)
  103. A11 Deer hunt (Q274)
  104. A17 Ibex hunt (Q275)
  105. A15 Badger and hare hunt (Q276)
  106. A16 Fox hunt (Q277)
  107. A13 Wild cat hunt (Q278)
  108. A3 Elephant hunt (Q279)
  109. Peter Franz Tassaert (Q28)
  110. A4 Bull hunt (Q280)
  111. A5 Stag hunt (Q281)
  112. A6 Idyllic scene with stag (Q282)
  113. A7 Elk hunt (Q283)
  114. A8 bear hunt (Q284)
  115. A9 Boar hunt (Q285)
  116. A10 Hunt for a white stag (Q286)
  117. Q1 Duck hunt (Q287)
  118. Q2 Egret hunt with traps (Q288)
  119. Q16 Bird traps in small house on stilts (Q289)
  120. Graf Carl Ludwig Hohenlohe-Weikersheim (Q29)
  121. Q15 Bird hunt with falcon (Q290)
  122. Q19 Hunt for singing birds (Q291)
  123. Q18 Bird hunt with nets (Q292)
  124. Q14 Quail hunt with cow dummy (Q293)
  125. Q20 Bird hunt in a cornfield (Q294)
  126. Q11 Hunt for swans (Q295)
  127. Q12 Partridge hunt (Q296)
  128. Q13 Crane hunt with funnel (Q297)
  129. Q17 Hunters guard a fence (Q298)
  130. Q3 Egrant mordant (Q299)
  131. organisation (Q3)
  132. Christian Thalwitzer (Q30)
  133. Q4 Falconer on horse (Q300)
  134. Q5 Battue (Q301)
  135. Q6 Battue from a gentleman's perspective (Q302)
  136. Q7 Partridge hunt with net (Q303)
  137. Q8 Partridge hunt with net in winter (Q304)
  138. Q9 Falconry (Q305)
  139. Q10 Hunt for geese (Q306)
  140. HA1 Otter hunt (Q307)
  141. HA2 Beaver hunt (Q308)
  142. HA11 Fish and eel hunt with pincers (Q309)
  143. Gerhard Schmidt (Q31)
  144. HA12 Eel hunt with braided bow nets (Q310)
  145. HA14 Bass hunt with quindent (Q311)
  146. HA13 Fish hunt by hand (Q312)
  147. HA 3 Duck hunt with reef timbering (Q313)
  148. HA 4 Duck hunt with bow nets (Q314)
  149. HA 5 Fish hunt at night (Q315)
  150. HA 6 Fish hunt by day with nets (Q316)
  151. HA7 Crawfish hunt with bow nets (Q317)
  152. HA 8 Fish hunt with fishing rod (Q318)
  153. HA 9 Fish hunt with baskets (Q319)
  154. Christioph Limmerich (Q32)
  155. HA 10 Naumachia with sea monster (Q320)
  156. Portrait 1: Graf Wolfgang II. von Hohenlohe-Weikersheim (1546-1610) (Q321)
  157. Portrait 2: Graf Kraft von Hohenlohe-Neuenstein-Öhringen (1582-1641) (Q322)
  158. Portrait 11: Johann Ernst von Hohenlohe-Öhringen (1670–1702) (Q323)
  159. Portrait 12: Johann Friedrich II. von Hohenlohe-Neuenstein-Öhringen (1683–1765) (Q324)
  160. Portrait 3: Johann Friedrich I. von Hohenlohe-Neuenstein (1617–1702) (Q325)
  161. Portrait 4: Carl Ludwig von Hohenlohe-Weikersheim (1674–1756) (Q326)
  162. Portrait 5: Georg Friedrich von Hohenlohe-Weikersheim (1569–1645) (Q327)
  163. Portrait 6: Philipp Ernst von Hohenlohe-Langenburg (1584–1626) (Q328)
  164. Portrait 7: Siegfried von Hohenlohe-Weikersheim (1619–1684) (Q329)
  165. Michael Juncker (Q33)
  166. Portrait 8: Wolfgang Julius von Hohenlohe-Neuenstein (1622–1698) (Q330)
  167. Portrait 9: Johann Ludwig von Hohenlohe-Künzelsau (1625–1689) (Q331)
  168. Portrait 10: Friedrich Kraft von Hohenlohe-Neuenstein-Öhringen (1667–1709) (Q332)
  169. Castle and garden vedutas (Q333)
  170. role (Q335)
  171. Architect (Q336)
  172. Primary residence (Q337)
  173. Association (Q338)
  174. Builder (Q339)
  175. Anthonos Blocklant (Q34)
  176. Carpenter (Q340)
  177. Commissioner (Q341)
  178. Orangery (Q342)
  179. Wing (Q343)
  180. Apartment (Q344)
  181. Access room sequences (Q345)
  182. Plasterer (Q347)
  183. Main hall (Q348)
  184. Dining room (Q349)
  185. Johann Valentin Weiß (Q35)
  186. Presence chamber (Q350)
  187. Bedroom (Q351)
  188. Wardrobes (Q352)
  189. Anteroom (Q353)
  190. Sculptor (Q354)
  191. Iconography (Q355)
  192. Painting condition (Q356)
  193. siege (Q357)
  194. Ceiling (position) (Q358)
  195. Translocated (condition) (Q359)
  196. Georg Robin (Q36)
  197. landscapes (Q360)
  198. Wall (position) (Q361)
  199. symbol, emblem, sign ~ medicine (Q362)
  200. seasons of the year (esp. personifications); 'Stagione', 'Le quattro stagione dell'anno' (Ripa) (Q363)
  201. continents represented allegorically (Q364)
  202. Painter (Q365)
  203. Material (Q366)
  204. Production method (Q367)
  205. hunting, chase (Q368)
  206. Canvas (Q369)
  207. Georg Stegle (Q37)
  208. Mixed technique (Q370)
  209. Venus mourning Adonis (Q371)
  210. Oil paint (Q372)
  211. Oil painting (Q373)
  212. acanthus ~ ornament (Q374)
  213. tea- and coffee-service (Q375)
  214. Wood (Q376)
  215. one of the Dioscuri: Castor or Pollux (Castor) (Q377)
  216. one of the Dioscuri: Castor or Pollux (Pollux) (Q378)
  217. personification of the morning, 'Aurora'; 'Aurora' (Ripa) (Q379)
  218. Wolf Beringer (Q38)
  219. Cephalus and Aurora (Q380)
  220. winter, 'Hyems'; 'Inverno' (Ripa) (Q381)
  221. Fresco painting (Q382)
  222. autumn, fall, 'Autumnus'; 'Autunno' (Ripa) (Q383)
  223. spring, 'Ver'; 'Primavera' (Ripa) (Q384)
  224. summer, 'Aestas'; 'Estate' (Ripa) (Q385)
  225. Europe represented allegorically; 'Europa' (Ripa) (Q386)
  226. Asia represented allegorically; 'Asia' (Ripa) (Q387)
  227. Africa represented allegorically; 'Africa' (Ripa) (Q388)
  228. Template provider (Q389)
  229. Elias Gunzenhäuser (Q39)
  230. Orpheus playing the lyre (Q390)
  231. lion hunt (Q391)
  232. (1) Hercules chokes the Nemean lion with his arms (Q392)
  233. she-goat, nanny-goat (Q393)
  234. hunt ~ hoofed animals (Q394)
  235. monkey hunting (Q395)
  236. walker and runner birds: ostrich (Q396)
  237. hare-hunting, rabbit-hunting (Q397)
  238. hoofed animals: deer (Q398)
  239. hoofed animals: ibex (Q399)
  240. class (Q4)
  241. Agostino Carracci (Q40)
  242. beasts of prey, predatory animals: badger (Q400)
  243. fox hunting (Q401)
  244. cat (WILDCAT) (Q402)
  245. 48C5123 (Q403)
  246. trunked animals: elephant (Q404)
  247. 47I12111 (Q405)
  248. (7) the Cretan bull is captured by Hercules (Q406)
  249. stag-hunting (Q407)
  250. (3) the Ceryneian hind of Arcadia is captured by Hercules (Q408)

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